<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="pt-BR">
	<id>http://literaciadamemoria.org/index.php?action=history&amp;feed=atom&amp;title=Translations%3ALiteracia_da_mem%C3%B3ria%2F40%2Fen</id>
	<title>Translations:Literacia da memória/40/en - Histórico de revisão</title>
	<link rel="self" type="application/atom+xml" href="http://literaciadamemoria.org/index.php?action=history&amp;feed=atom&amp;title=Translations%3ALiteracia_da_mem%C3%B3ria%2F40%2Fen"/>
	<link rel="alternate" type="text/html" href="http://literaciadamemoria.org/index.php?title=Translations:Literacia_da_mem%C3%B3ria/40/en&amp;action=history"/>
	<updated>2026-06-10T21:30:33Z</updated>
	<subtitle>Histórico de revisões para esta página neste wiki</subtitle>
	<generator>MediaWiki 1.45.3</generator>
	<entry>
		<id>http://literaciadamemoria.org/index.php?title=Translations:Literacia_da_mem%C3%B3ria/40/en&amp;diff=617&amp;oldid=prev</id>
		<title>Valdemirneto: Criou página com &#039;At the empirical level, the thesis reinforces this consolidation by demonstrating, through the analysis of the series The Crown and remix practices on TikTok, how collective memory is continually reconfigured by mediated cultural practices. The edits produced by fans are analyzed as mnemonic devices that operate simultaneously at affective, narrative, and interpretive levels, showing that memory, in the digital context, is constructed through processes of selection, reco...&#039;</title>
		<link rel="alternate" type="text/html" href="http://literaciadamemoria.org/index.php?title=Translations:Literacia_da_mem%C3%B3ria/40/en&amp;diff=617&amp;oldid=prev"/>
		<updated>2026-05-03T08:16:19Z</updated>

		<summary type="html">&lt;p&gt;Criou página com &amp;#039;At the empirical level, the thesis reinforces this consolidation by demonstrating, through the analysis of the series The Crown and remix practices on TikTok, how collective memory is continually reconfigured by mediated cultural practices. The edits produced by fans are analyzed as mnemonic devices that operate simultaneously at affective, narrative, and interpretive levels, showing that memory, in the digital context, is constructed through processes of selection, reco...&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Página nova&lt;/b&gt;&lt;/p&gt;&lt;div&gt;At the empirical level, the thesis reinforces this consolidation by demonstrating, through the analysis of the series The Crown and remix practices on TikTok, how collective memory is continually reconfigured by mediated cultural practices. The edits produced by fans are analyzed as mnemonic devices that operate simultaneously at affective, narrative, and interpretive levels, showing that memory, in the digital context, is constructed through processes of selection, recontextualization, and circulation. By shifting the focus from traditional institutions to users and their creative practices, the research contributes to redefining the object of memory studies, incorporating the participatory and algorithmic dimension of digital platforms as central elements in contemporary analysis.&lt;/div&gt;</summary>
		<author><name>Valdemirneto</name></author>
	</entry>
</feed>